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Seeing these fragile treasures endangered and still relatively undocumented, Thomas Laird developed new methods to capture three hundred of the greatest murals painted in Tibet during the past thousand years, at life size resolution: gigapixel images. his image is the same size, at a resolution of 300 dpi.
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Since there already exists on file in the Library of Congress an oral history recorded by the Society of Women Geographers, additional information seemed unwarranted, but the lawyer’s advice raised a storm of far more intimate, near century-long memories that will not be stilled until I set them down as I do here.
When I first encountered Coomaraswamy’s multivolume catalogue of the Boston Museum collections in the Calcutta University library as a student in 1956, I learnt that the great Indian collection for which the museum was famous at the time was identified as the hyphenated “Ross-Coomaraswamy Collection.” The “Ross” part of the moniker, however, remained a mystery until I came to occupy the position of Keeper of the Indian Collections in 1967 – exactly two decades after Coomaraswamy passed away.
The Mongol adoption of Tibetan Buddhism has been traditionally ascribed almost solely to missionary activities of Tibetan clerics.
Recent scholarship, however, has revealed a more complex picture, which shows the Xi Xia background of Tibetan Buddhism in Mongolia and Yuan China.